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Chapter 10 - THE FRIDAY LIGHTS OF THE FUTURE

Three months later. August.

The brutal heat of the Phoenix summer was finally beginning to break as the sun dipped behind the western mountains, leaving the desert sky painted in brilliant streaks of violet, gold, and crimson.

Our house was filled with the chaotic, energetic mess of a major life transition. Cardboard boxes lined the hallway, filled with textbooks, winter clothes, and sewing supplies. Hannah’s violin case sat near the front door, packed securely in its heavy-duty travel shell.

She had been accepted into the prestigious fashion design and music dual-degree program at the University of Washington in Seattle, funded entirely by a combination of her academic scholarships and the civil settlement fund from her cousins.

I stood in her bedroom, looking at the bare walls where her lookbooks and design sketches used to hang. It felt strange to see the room empty—the room where I had spent six years reading stories, checking homework, and listening to the faint, beautiful sound of her practicing her scales.

"All packed?" I asked, leaning against the doorframe.

Hannah turned around from her desk, holding her old sketchpad in her hand. She was wearing her favorite gray hoodie, her hair tied back in a messy bun. She looked like the quiet, intelligent girl she had always been, but there was an underlying stillness in her posture now—a deep, unshakeable confidence that had remained with her since that night in May.

"Almost," she said, walking over to place the sketchpad into the final box. "Marcus called earlier. He said the twins' appeal to the university admissions board was officially denied. Madison is going to a local community college in Mesa, and Chloe is taking a gap year to work at her dad's firm."

I nodded, feeling no satisfaction in their failure, only a quiet sense of justice. "They made their choices, Hannah. You made yours. That’s how the world works."

She walked over to the window, looking out at the tree in our yard. "Dad... are you going to be okay here alone?"

I walked up behind her, placing my hands on her shoulders, the weight familiar and comforting. "I've spent six years making sure you were ready to leave this house, Hannah. If I'm lonely, it just means I did my job right. I'll be fine. I have a lot of houses to remodel, and Marcus wants me to help him build a new cabin up in Flagstaff."

She turned around, throwing her arms around my neck, burying her face into my chest just like she used to when she was ten years old and having a nightmare about her mother.

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"I love you, Dad," she whispered.

"I love you too, Hannah," I said, holding her tight against the quiet evening.

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